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作 者:闫中华 YAN Zhong-hua
机构地区:[1]宁夏大学民族与历史学院,宁夏银川750021
出 处:《民族艺林》2025年第1期58-65,共8页Journal of Ethnic Art
摘 要:在乡村旅游和文化产业的蓬勃发展中,农民画作为一项宁夏乡村非物质文化遗产,扮演着越来越重要的角色。农民画不仅是艺术瑰宝,更是传统文化交流、革新和创作的源头活水。文章从民族记忆和文化传承两个维度发掘宁夏农民画对乡村振兴的助推作用,从政府、乡村、传承人、研究者四个层面探寻宁夏农民画参与艺术乡建的路径,为未来乡村发展提供灵感,使文化产业更好地赋能乡村振兴。In the vigorous development of rural tourism and cultural industries,farmer painting,as a nonmaterial cultural heritage of rural areas in Ningxia,plays an increasingly important role.Farmer painting is not only an artistic treasure but also a source of inspiration for communication,innovation and creation.This paper explored the promoting role of Ningxia farmer painting to rural revitalization from the two dimensions of ethnic memory and cultural inheritance,and investigated the paths for Ningxia peasant painting to participate in rural art construction from four levels:government,rural areas,inheritors and researchers.It aims to provide inspiration for future rural development and enable the cultural industry to better empower rural revitalization.
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