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作 者:袁雨欣 YUAN Yu-xin
出 处:《民族艺林》2025年第1期75-84,共10页Journal of Ethnic Art
基 金:2023年国家社会科学基金艺术学重大项目“中华文明精神标识的艺术呈现与传播研究”(项目编号:23ZD02)阶段性成果。
摘 要:从感官人类学视角聚焦云南民族地区年俗仪式,探究其纪实短视频的感官民族志书写,彰显中华文化传统的“文化自觉”。滇区少数民族的年俗仪式借助新媒体传播这一载体,以“共感”的人类学视角实现对民族乡野的回归与“深描”;滇区年俗主要仪式中的感官实践具有一定的社会功能与现实隐喻,历久弥新犹有寓言的世俗转向,体现着农耕时代人民劳动生产的魅力,具有现代性传播价值。这一研究切实借助“感官转向”,解决“写文化”与视觉人类学无法充分揭示文化持有者主观意识中的社会历史与文化特性的问题。From the perspective of sensory anthropology,this paper focused on the annual ritual of Yunnan ethnic areas,explored the sensory ethnography of short documentary videos,and highlighted the"cultural consciousness"of Chinese cultural tradition.With the help of the new media,the annual ritual of the ethnic minorities in Yunnan District realized the return and deep description of the ethnic countryside from the anthropological perspective of"empathy".The sensory practice in the main rituals of Yunnan annual custom has a certain social function and realistic metaphor,which is still fresh with its sacred allegorical secular turn,reflecting the charm of people's labor and production in the farming age,and has the value of modern communication.This research effectively relied on"sensory turn"to solve the problem that"writing culture"and visual anthropology which cannot fully reveal the social history and cultural characteristics in the subjective consciousness of culture holders.
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