21世纪新疆电影的生态美学研究  

On Ecological Aesthetics of 21st-century Xinjiang Films

作　　者：范玉 FAN Yu

机构地区：[1]广西民族大学文学院,广西南宁530006

出　　处：《民族艺林》2025年第1期85-93,共9页Journal of Ethnic Art

摘　　要：21世纪新疆电影通过展现本土自然景观,塑造了具有地域特色的影像美景,呈现了自然生态之美,这不仅是对新疆壮丽山河的艺术再现,也是对观众生态保护意识的一种唤醒。21世纪新疆电影反映了新疆对于生态伦理观的深刻认知和承诺,体现了人与自然和谐共生的理念,显现了新疆人民生态保护意识在不断增强。21世纪新疆电影还坚持铸牢中华民族共同体意识,通过多样的人物塑造和复杂的情节设置,表达新疆人民对生态理想的追求,以及试图实现诗意栖居,最终构建美生家园的期盼。文章认为,21世纪新疆电影在中国特色生态文明建设中扮演着独特角色,极具文化价值,为全球生态美学的发展提供了新的地域视角。In the 21st century,Xinjiang films have portrayed local natural landscapes,created visually stunning scenery with regional characteristics,and presented the beauty of natural ecology.This is not only an artistic representation of the magnificent mountains and rivers of Xinjiang,but also a wake-up call to the audience's awareness of ecological protection.The 21st century Xinjiang films reflect Xinjiang's profound understanding and commitment to ecological ethics,embody the concept of harmonious coexistence between humans and nature,and demonstrate the increasing awareness of ecological protection among the Xinjiang people.In the 21st century,Xinjiang film still insists on forging a strong sense of community for the Chinese nation.Through diverse character portrayals and complex plot settings,it expresses the pursuit of ecological ideals by the Xinjiang people,as well as attempts to achieve poetic dwelling and ultimately build a beautiful homeland.The paper explored that Xinjiang films in the 21st century play a unique role in the construction of ecological civilization with Chinese characteristics,have great cultural value,and provide a new regional perspective for the development of global ecological aesthetics.

关 键 词：21世纪新疆电影 生态美学 人与自然 铸牢中华民族共同体意识 

分 类 号：J901[艺术—电影电视艺术]