端微寻迹——陈洪绶绘画艺术中的魏晋传统探析  

Micro Tracing--On the Tradition of Wei and Jin Dynasties in Chen Hongshou's Painting Art

作　　者：杨艳宏 YANG Yan-hong

机构地区：[1]宁夏大学美术学院,宁夏银川750021

出　　处：《民族艺林》2025年第1期125-133,共9页Journal of Ethnic Art

摘　　要：纵观陈洪绶一生的绘画历程,他求学之初神往魏晋境界,中期顺应明代艺术流向锐意创新,以古为要而不墨守旧法,以奇崛雅致的风格收获时代认可,晚期他摆脱世事纷扰,回归艺术渊源并从中汲取力量,自由畅快地抒发和展露自己画学上的真实感受,以作品古雅盛名明末画坛。文章从魏晋传统的巨大影响力、陈洪绶的士人化个性和晚明时代环境中追寻陈洪绶对于魏晋传统向往和继承的根源,并梳理陈洪绶个人和与其有关的遗散诗文,结合对具体作品的整理分析,总结出他绘画艺术中的魏晋传统所在。Throughout the painting process of Chen Hongshou's life,he sought the realm of Wei and Jin dynasties at the beginning of his painting study,followed the art flow of the Ming Dynasty in the middle,made innovations with determination,focused on the ancient rather than adhering to the old methods,and harvested the recognition of the times with a strange and elegant style.In the late stage,he got rid of the troubles of the world,returned to the origin of art,drew strength from it,freely expressed and revealed his true feelings in painting,and became famous in the painting world of the late Ming Dynasty with his ancient and elegant works.From the great influence of Wei Jin tradition,Chen Hongshou's humanized personality and the environment of the late Ming Dynasty,this paper pursued the root of Chen Hongshou's yearning and inheritance of Wei Jin tradition,combed Chen Hongshou's personal and related scattered poems,and summarized the Wei Jin tradition in his painting art combined with the sorting and analysis of specific works.

关 键 词：陈洪绶 魏晋传统 士人情怀 

分 类 号：J205[艺术—美术]