机械复制时代的闲章新艺术——以《点石斋画报》为中心  

New Art of Unofficial Personal Seals in the Age of Mechanical Reproduction——Focusing on Dianshizhai Pictorial

作　　者：黄艺兰 HUANG Yilan(Chinese Classics Research Institute,Fudan University,Shanghai 200433,China)

机构地区：[1]复旦大学古籍所,上海200433

出　　处：《美育学刊》2025年第2期109-120,共12页Journal of Aesthetic Education

摘　　要：晚清画报《点石斋画报》的构图继承了文人书画的传统,包含图像、题跋、印章等元素。以往研究多集中于图像和题跋,对闲章却鲜有谈及。经考察原始画稿,可知《点石斋画报》曾发生过从“钤盖名章”到“手绘闲章”的策略转变,背后关乎石板印刷技术的媒介特性,以及编辑团队对于刊物的审美定位。手绘闲章继承了篆刻闲章风雅的传统,但在字体设计、空间布局和形制设计上更加变化多端,在呼应报道内容的同时,也开创了具有审美功能的批评空间。《点石斋画报》手绘闲章的成功之处在于巧妙地利用了石印技术,不仅简化了闲章的制作过程,使其传播更加广泛,同时也形成了一种以“雅谑”为特点的通俗美学,因此成为机械复制时代一次具有创造性的艺术实验。The magazine Dianshizhai Pictorial in the late Qing Dynasty inherited the tradition of literati painting and calligraphy,and its composition includes elements such as images,inscriptions and seals.Previous research has mostly focused on images and captions,with little attention paid to the unofficial personal seal.After examining the original artwork,it is known that Dianshizhai Pictorial underwent a strategic shift from“cutting name seals”to“hand drawing unofficial personal seals”,which was related to the media characteristics of lithography and the aesthetic positioning of the editorial team for the publication.Hand-drawn unofficial personal seals inherit the elegant tradition of seal carving idle seals,but are more diverse in font design,spatial layout and form design.While echoing the content of the report,they also create a critical space with aesthetic functions.The success of the hand-drawn unofficial personal seal in Dianshizhai Pictorial lies in the clever use of lithography,which not only simplifies the production process of idle chapters and makes them more widely spread,but also forms a popular aesthetic characterized by“elegance and humor”,thus becoming a creative artistic experiment in the age of mechanical reproduction.

关 键 词：《点石斋画报》 闲章 石印技术 机械复制时代 通俗美学 

分 类 号：J292.4[艺术—美术]