“天人合一”美学思想在现代平面设计中的融合与创新  

The Integration and Innovation of“The Unity of Heaven and Man”Aesthetics in Modern Graphic Design

作　　者：冯志鹏 王宾旗[1] FENG Zhipeng;WANG Binqi(Donghua University of Science and Technology,Nanchang 330000,China)

机构地区：[1]东华理工大学,江西南昌330000

出　　处：《鞋类工艺与设计》2025年第6期63-65,共3页SHOES TECHNOLOGY AND DESIGN

摘　　要：“天人合一”是中国传统的哲学思想,意指人类与自然界之间的和谐共存,强调了人类在宇宙中的角色和责任。在现代平面设计中,设计师们不断探索将中国传统美学思想与现代设计实践相结合。本文对“天人合一”美学思想进行了深入研究,分析了它在现代平面设计中的融合与创新,揭示了这一美学思想如何为当代设计提供新的视角和灵感。“The unity of heaven and mankind”is a traditional Chinese philosophical idea,which refers to the harmonious coexistence between human beings and the natural world,and emphasises the role and responsibility of human beings in the universe.In modern graphic design,designers are constantly exploring the combination of traditional Chinese aesthetics and modern design practice.This paper carries out an in-depth study on the aesthetic thought of‘the unity of heaven and man',analyses its integration and innovation in modern graphic design,and reveals how this aesthetic thought can provide new perspectives and inspirations for contemporary design.

关 键 词：“天人合一” 美学思想 现代设计 融合创新 

分 类 号：J51[艺术—艺术设计]