融合泥金彩漆的婚嫁文创产品设计  

Wedding Cultural and Creative Product Design and Cultural Exploration with Gold and Color Paint

作　　者：王静 李明霁 钟瑜 WANG Jing;LI Mingji;ZHONG Yu(Fashion Design Institute,Zhejiang Fashion Institute of Technology,Ningbo 315211,China;Ningbo Sun Lake Culture Development Co.,Ltd.,Ningbo 315031,China)

机构地区：[1]浙江纺织服装职业技术学院时装学院,浙江宁波315211 [2]宁波市江北万木春工艺美术有限公司,浙江宁波315031

出　　处：《鞋类工艺与设计》2025年第6期105-107,共3页SHOES TECHNOLOGY AND DESIGN

基　　金：浙江纺织服装职业技术学院2024年学生科研创新项目《丹漆流彩⸺泥金彩漆之十里红妆婚嫁系列传承者》(项目编号:2023HB04)。

摘　　要：宁波泥金彩漆技艺源自河姆渡文化,已有7000多年历史,并被列入首批国家传统工艺振兴目录。然而,受限于技艺传承困难、市场需求萎缩、产品创新和实用性不足,以及高昂成本等因素,该技艺濒临失传。为推动泥金彩漆技艺的传承与发展,本文从创新发展的视角探讨其在婚嫁文创产品设计中的应用,分析了其与婚俗文化结合对现代设计的价值。通过对泥金彩漆工艺的研究,展示其美学与象征意义,并提出了基于传统技艺的创新设计策略。Ningbo lacquer technology originated from Hemudu culture,has a history of more than 7,000 years,and was included in the first batch of national traditional craft revitalization catalog.However,due to factors such as difficulties in the inheritance of skills,shrinking market demand,lack of product innovation and practicability,and high costs,the skills are on the verge of being lost.In order to promote the inheritance and development of lacquer technology,this paper discusses its application in the design of wedding cultural and creative products from the perspective of innovation and development,and analyzes the value of its combination with wedding culture to modern design.Through the study of the lacquer process,the aesthetic and symbolic significance of the lacquer is demonstrated,and an innovative design strategy based on traditional techniques is proposed.

关 键 词：泥金彩漆 婚嫁 文创产品 设计创新 

分 类 号：TB427.0[一般工业技术]