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作 者:李思檬 谢佳倩 Li Simeng;Xie Jiaqian
机构地区:[1]成都武侯祠博物馆
出 处:《艺术与民俗》2025年第1期13-18,24,共7页Journal of Arts and Folklore
摘 要:在信息化的时代背景下,戏曲文化正从传统的物理媒介延伸至多元跨界媒介,越来越多的戏曲表演选择走出剧场,通过多元化的合作形式,实现与其他文化空间的跨界联动,这一转变不仅丰富了戏曲的表现形式,也让观众的体验从单一的视听感受转变为全方位的联觉体验。“龙吟希声——三国戏曲文化艺术展”聚焦经典“三国戏”,旨在更新戏曲文化形象、转码内在精神,通过文物展览、教育项目和其他互动活动等多元形式,为公众提供丰富的戏曲体验感受和学习资源,重新塑造观众群体与戏曲文化之间的关系,打破传统媒介中单向传播的局限,将传统表演艺术与现代叙事手法相结合,为戏曲艺术的创新提供了新的动力和广阔的发展空间,有效地探索了优秀传统文化传播推广的新范式。In the information age,the development of traditional Chinese opera culture is gradually expanding from conventional physical media to diverse cross-border media.More and more Chinese operas are stepping out of the theater and achieving cross-border linkage with other cultural spaces through diversified media forms.This change has not only enriched the forms of opera expression but also transformed the audience's experience from a single audio-visual perception to a comprehensive sensory experience.Focusing on the classic"Three Kingdoms Opera","The Grand and Resounding Voice—the Exhibition of the Three Kingdoms Opera Art"utilized the theory of"cultural skin"to refresh the image of Chinese opera culture and renewed its inner spirit.Through different forms such as the exhibition of cultural relics,educational projects,and interactive activities,the exhibition offered the public a rich opera experience and valuable learning resources.It reshaped the interactive relationship between the audience and opera culture and overcame the limitations of one-way communication in traditional media.Additionally,by combining traditional performance art with modern narrative techniques,it provided new impetus and broad development space for the innovation of Chinese opera art and effectively explored new paradigms for the dissemination of traditional culture.
分 类 号:G265[历史地理—考古学及博物馆学]
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