作者论视阈下邵艺辉电影的创作范式解码  

Decoding the Creative Paradigm of Shao Yihui’s Films from the Perspective of Auteur Theory

作　　者：王竣 李昂 WANG Jun;LI Ang(Xiamen University,Xiamen 361000,China;Xiamen University of Technology,Xiamen 361024,China)

机构地区：[1]厦门大学,福建厦门361000 [2]厦门理工学院,福建厦门361024

出　　处：《扬州教育学院学报》2025年第1期75-79,共5页Journal of Yangzhou College of Education

基　　金：国家级大学生创新创业训练计划项目(202310638013X)。

摘　　要：邵艺辉所执导的影片在贴近现实生活的前提下,始终保持着对女性独特生命经验的关注。以电影《爱情神话》和《好东西》为例分析,在视听语言方面,邵艺辉将画面与声音融合,构建了一个既现实又充满诗意的电影世界;在叙事风格方面,其围绕中心人物展开群像叙事,通过多线索交叉和碎片化瞬间的捕捉,窥镜都市人群在情感与欲望之间的复杂状态。同时,邵艺辉十分重视语境因子的运用,使其影片实现现实感与诗意的交叠,散发着“作者”光辉。Shao Yihui keeps her works close to real life and always focuses on women’s unique life experiences,Taking Her Story and B for Busy for examples,in terms of audiovisual language,Shao Yihui integrates images and sounds to construct a film world that is not only realistic but also steeped in poetry,while in the aspects of narrative style,she develops group-portrait narratives around central characters.By interweaving multiple story-lines and capturing fragmented moments,she peeks into the complex states of urban crowds torn between emotions and desires.At the same time,Shao attaches great significance to the use of context,endowing her films with a blend of realism and poetry and exuding the“auteur”glory.

关 键 词：作者论 电影叙事 创作策略 《好东西》 《爱情神话》 邵艺辉 

分 类 号：J905.2[艺术—电影电视艺术]