新实践美学视阈中的中国陶瓷艺术  

On the Chinese Ceramic Art from the Perspective of New Practical Aesthetics

作　　者：孔浩荣 岳友熙[1] KONG Haorong;YUE Youxi(School of Literature and Journalism&Communication,Shandong University of Technology,Zibo 255000,Shandong,China)

机构地区：[1]山东理工大学文学与新闻学院,山东淄博255000

出　　处：《景德镇学院学报》2025年第1期1-6,共6页Journal of JingDeZhen University

摘　　要：新实践美学兴起于20世纪90年代,是在实践美学的基础上,针对后实践美学流派提出的批评,结合新的时代特色所提出的,是实践美学发展的新境界。这一理论为研究理解中国陶瓷艺术提供了一个全新的维度,即分析新实践美学视阈中,中国传统陶瓷艺术的发展、创新。从新实践美学提出的三种实践类型,即物质生产、精神生产、话语生产层面出发,分析中国传统陶瓷艺术对新实践美学思想的体现,并通过对陶瓷艺术生产的实践性、人文性、审美观念变革等三个方面的分析,阐述其对当代中国陶瓷艺术的影响。The new practical aesthetics theory,which is developed from the old one,was raised on the basis of criticism on the post-practical aesthetics school and the characteristics of the new era and it symbolized a new stage in the history of the practical aesthetics.This theory provides a new angle for us to study Chinese ceramic art,that is,to analyze the advancement and innovation of traditional Chinese ceramic art from the new practical aesthetics perspective.Based on the three types of practice proposed by the new practical aesthetics,namely"material production","spiritual production"and"discourse production",this paper explores the new practical aesthetics thoughts embodied in the traditional Chinese ceramic art,and expounds their influence on the contemporary Chinese ceramic art through analyzing the practical and humanistic aspects of the ceramic art production and the evolution of the aesthetic concepts.

关 键 词：陶瓷艺术 新实践美学 精神生产 审美观念 

分 类 号：J527[艺术—艺术设计]