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作 者:尹一伊 Yin Yiyi
机构地区:[1]北京师范大学艺术与传媒学院
出 处:《中国文艺评论》2025年第3期52-62,I0002,共12页China Literature and Art Criticism
摘 要:文艺评论始终是文艺创作的一面镜子,既反映文艺创作的审美价值、文化意义和接受情况,也为文艺创作的未来发展提供重要参考。在社交媒体时代,文艺评论的主体、内容、形式和渠道都发生了较大变化,从相对后置、阐释性的狭义文艺评论演变为即时、交互、创造性的广义文艺评论,其介入和影响文艺创作的方式也发生了相应变化。本文提出“数据库”式协同创作与“转化型传播”的概念,分析文艺评论新形态及其对文艺创作的参与和影响。当下,形式多样的文艺评论与文艺创作共享文本“数据库”,彼此提供丰富的要素资源、展开协同创作,同时,“转化型”的广义文艺评论也推动文艺作品的多义性、多渠道传播。Criticism has long served as a reflective mirror for literary and artistic creation,shaping and evaluating its aesthetic value,cultural significance,and public reception while also offering critical insights for future creative development.In the era of social media,the subjects,content,forms,and channels of literary criticism have undergone significant transformations.Traditional,interpretive,and retrospective modes of criticism have expanded into more immediate,interactive,and generative forms,broadening the scope of literary discourse.Consequently,the ways in which criticism engages with and influences literary and artistic creation have also changed.This article introduces the concepts of“database-driven”collaborative creation and“transformative communication”to analyze the emerging forms of literary criticism and their impact on literary production.In contemporary literary culture,diverse modes of criticism share a textual“database”with literary creation,mutually enriching each other by providing dynamic resources for co-creation.Meanwhile,broad,“transformative”criticism facilitates the multidimensional and multichannel dissemination of literary works,reshaping the landscape of literary engagement in the digital age.
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