论李清照咏梅词的典型范式及其意义  

On the Typical Paradigm and Significance of Li Qingzhao’s Odes to Plum Blossoms

作　　者：何时清 He Shiqing(College of Liberal Arts,Minnan Normal University,Zhangzhou Fujian 363000,China)

机构地区：[1]闽南师范大学文学院,福建漳州363000

出　　处：《河北科技师范学院学报(社会科学版)》2025年第1期44-50,共7页Journal of Hebei Normal University of Science & Technology(Social Sciences)

摘　　要：李清照是宋代词坛上大量咏梅的女性词人。她将梅独立化,赋予其人格个性,蕴含复杂的个人情感;运用“欲兴回头”式的构思,对“梅”意象进行深度开掘,展现梅的多种形态;创作兼具女子情怀与男子胸怀,对梅进行“大写”,从而创造了咏梅的典型范式。在宋代咏梅史上开创了咏梅词贯穿人生的抒写,开拓了咏梅词的写作范围,影响了南宋词人的咏梅词创作,在宋代咏梅史留下了极其光辉绚丽的一页。Li Qingzhao was a prominent female lyricist of the Song Dynasty who composed a large number of odes to plum blossoms.She elevated the plum blossom as an independent entity,endowing it with distinct personality and com-plex personal emotions.Through her innovative“starting-and-turning-back”compositional technique,she profoundly explored the imagery of plum blossoms,revealing their multifaceted forms.Her creations harmoniously blended femi-nine sensibilities with masculine vision,magnifying the symbolism of plum blossoms to establish a paradigmatic model for plum-themed poetry.In the history of Song Dynasty plum poetry,she pioneered the concept of using plum imagery as a lifelong narrative thread,expanded the thematic scope of plum poetry,and significantly influenced Southern Song poets’compositions on the subject.Her contributions constitute a brilliant and resplendent chapter in the annals of plum-themed poetry during the Song era.

关 键 词：李清照 咏梅词 典型范式 意义 

分 类 号：I207.22[文学—中国文学]