解体—弥合—断裂:西川美和电影中的家庭世界  

Disintegration-Bridging-Fracture:The World of the Family in Miwa Nishikawa’s Films

作　　者：余蝶蝶 Yu Diedie(College of Fine Arts,Hebei University,Baoding Hebei 071000,China)

机构地区：[1]河北大学艺术学院,河北保定071000

出　　处：《河北科技师范学院学报(社会科学版)》2025年第1期51-57,87,共8页Journal of Hebei Normal University of Science & Technology(Social Sciences)

摘　　要：从“家”这一最小的社会单位出发,对西川美和的电影进行解读和研究。纵观其作品序列,能够抽绎出一条“解体—弥合—断裂”的内在家庭脉络,平静的家庭内部潜藏着危机,但当危机显露后人们或选择在家庭内部拼命维持体面,或从家庭转移到更广阔的社会重建人与人之间的关系,最终试图弥合的“关系”依然断裂,人们不得不面临着自我身份的重新确认。Miwa Nishikawa’s films are studied from the perspective of the spatial unit of“family”,the smallest unit of society,to extract a family vein of disintegration-bridging-fracture.There is a crisis inside the calm family,but when the crisis is revealed,people either choose to try their best to maintain the decency in the family,or move from the family to the society to rebuild the relationship between people,but the relationship that they try to bridge is broken,and they have to relocate their identities.

关 键 词：西川美和 日本电影 家庭电影 

分 类 号：J905[艺术—电影电视艺术]