从气论美学的角度评析苏东坡诗词  

Analysis on Su Dongpo's Poetry from the Perspective of Chinese Aesthetics of the Qi(气)Theory

作　　者：朱海歌 Zhu Haige(Communication University of China,Beijing 100020,China)

机构地区：[1]中国传媒大学,北京100020

出　　处：《漯河职业技术学院学报》2025年第2期70-74,共5页Journal of Luohe Vocational and Technical College

基　　金：教育部产学合作协同育人项目“数字信息化背景下高校教师口语表达能力提升路径研究”(220902070012905)。

摘　　要：从中国古典美学“气”的发展入手,以苏东坡诗词为研究对象,用气论美学相关理论评析苏东坡诗词,探索其中的审美价值,发掘苏东坡的诗词作品与元气充沛、浩然之气、气质超逸、气势磅礴、气韵生动等中国传统气论美学思想之间的密切关系、浑厚的文化内涵和独特的艺术魅力,分析气论美学理论对评析苏东坡作品的意义,从而更好地欣赏和传承他的文学艺术遗产。Starting from the development of“Qi”(气)in the Chinese classical aesthetics and taking Su Dongpo's poems as the research object, this paper employs the relevant theories of Chinese aesthetics of the Qi(气)theory to conduct an analysis of his works and explore the aesthetic value embedded in Su Dongpo's poems, discovering the intimate connection between Su Dongpo's poetic works and the traditional Chinese aesthetic concepts of abundant vitality(元气充沛), noble spiri(t浩然之气), great momentum(气势磅礴), etc., and uncovering the profound cultural connotations and unique artistic charm. It also analyzes the significance of Chinese aesthetics of the Qi(气)theory in making comments on Su Dongpo's works to better understand, appreciate and inherit his literary and artistic legacy.

关 键 词：苏东坡诗词 气论 美学角度 

分 类 号：I207.22[文学—中国文学]