敦煌西千佛洞第16窟沙洲回鹘王妃供养人服饰考释  

Dunhuang West Thousand Buddha Caves 16 Sandbank Uighur Princess Sponsor Costume Interpretation

作　　者：胡懿婷 乔洪[1] HU Yiting;QIAO Hong(Sichuan Normal University,Chengdu 610000,China)

机构地区：[1]四川师范大学,成都610000

出　　处：《纺织科技进展》2025年第3期56-61,共6页Progress in Textile Science & Technology

摘　　要：沙洲回鹘是唐代活跃在我国西北地区的回鹘分支,以西千佛洞第16窟中的沙洲回鹘王妃供养人壁画服饰为主要蓝本,通过文献研究和图像分析的方法,结合沙洲回鹘时期的时代背景,分析其首服、袍服、随身物品的特征,并尝试对回鹘贵族在沙洲的女性服饰进行溯源。研究发现沙洲回鹘女性供养人壁画服饰虽然留存较少,但仍展现出独特的民族特色,并且明显受到了中原以及高昌、甘州两地回鹘乃至外域文化的影响。考察沙洲回鹘时期,随着丝绸之路贸易的兴盛,民族服饰之间展现出多元化交融态势。这不仅是文化多样性的体现,也从另一个角度实证了中华民族多元一体发展、演变和形成的历史片段。Shazhou Uighur is a Uighur branch that was active in the northwest of China in the Tang Dynasty.Based on the fres-coed costumes of the Uighur princess sponsor in the 16th cave of West Thousand Buddha Caves,through the method of literature re-search and image analysis,and combined with the historical background of Shazhou Uighur period,the characteristics of first dress,robe and personal belongings were analyzed.It also attempts to trace the origin of the women's clothing of the Uighur nobility in Shazhou.The study found that although there are relatively few mural costumes of Shazhou Uighur female caregivers,they still ex-hibit unique ethnic characteristics and were clearly influenced by the cultures of the Central Plains,as well as the Uyghurs of Gaochang and Ganzhou,and even foreign cultures.During the Uighur period in Shazhou,with the prosperity of trade along the Silk Road,ethnic costumes showed a trend of diversification and integration.This not only reflects cultural diversity but also empirically demonstrates,from another perspective,historical fragments of the development,evolution,and formation of the Chinese nation's pluralistic unity.

关 键 词：西千佛洞 沙洲回鹘 供养人服饰 多民族融合 

分 类 号：TS943.41[轻工技术与工程—服装设计与工程]