《调琴啜茗图》画中人物服饰浅析  

A Brief Analysis of the Characters'Clothing in the Painting of Tuning the Qin and Sipping Tea

作　　者：金倩倩 朱春 JIN Qianqian;ZHU Chun(Xi'an Polytechnic University,Xi'an 710000,China)

机构地区：[1]西安工程大学,西安710000

出　　处：《纺织科技进展》2025年第3期62-66,共5页Progress in Textile Science & Technology

基　　金：陕西省教育厅青年创新团队科研计划项目(23JP061)。

摘　　要：《调琴啜茗图》是唐代著名画家周昉的画作,画中人物服饰形象具有典型的唐代风格,对于研究唐代服饰文化有着重要参考价值。从服装工程角度出发,对画中人物服饰形制、色彩、结构、面料进行详细分析,以期对唐代妇女服饰文化的研究提供一定的补充。借助三维虚拟仿真技术,实现画中人物服饰的数字化展现。研究表明,唐代中期的贵族妇女服饰搭配仍为常见的裙、衫、帔,图中侍女上着长袍衫,下着白色长裤,体现了当时女性服饰的审美倾向。Tuning the Qin and Sipping Tea,a renowned artwork by Zhou Fang of the Tang Dynasty,depicts representative clothing styles of the period,providing valuable references for research on Tang Dynasty attire culture.From the perspective of cloth-ing engineering,detailed analysis of garment silhouettes,color,structural,and fabric was conducted to enhance scholarly understand-ing of Tang Dynasty women's clothing.Three-dimensional virtual simulation technology was employed to digitally reconstruct the de-picted garments.The analysis reveals that aristocratic women in the mid-Tang period predominantly combined skirts,blouse,and Pei as foundational attire elements.Notably,maidservants within the artwork were reconstructed wearing long robes paired with white trousers,reflecting the clothing and aesthetic preferences of women at that time.

关 键 词：《调琴啜茗图》 唐代 服饰形制 数字化复原 

分 类 号：TS941.12[轻工技术与工程—服装设计与工程]