图像学视角下桂南地区广府民居建筑灰塑装饰艺术研究  

Study on the Decorative Art of Gray Plaster Sculpture in Guangfu Vernacular Architecture in Southern Guangxi from the Perspective of Iconography

作　　者：庞玥 杨佳凯 覃露仪 Pang Yue;Yang Jiakai;Qin Luyi

机构地区：[1]广州大学建筑与城市规划学院 [2]南宁轨道地产集团有限责任公司

出　　处：《城市建筑》2025年第7期156-160,共5页Urbanism and Architecture

摘　　要：在桂南地区,广府民系的传统村落及其灰塑装饰艺术构成了广西文化遗产的组成部分之一。本研究基于实地调研,从图像学的视角出发,运用潘诺夫斯基的图像学三层次理论,从“前图像志描述”“图像学分析”“图像学阐释”三个层次探讨桂南广府民居灰塑装饰的艺术形式与文化内涵,及其在广府文化中的象征意义和社会祈愿。针对广府民居建筑现状提出了一系列灰塑装饰构件保护和传承的策略,为桂南地区的文化遗产保护提供了新视角,也为传统艺术形式的现代应用提供了新思路。In the southern Guangxi region,the traditional villages of the Cantonese ethnic group and their gray plaster decoration art constitute an integral part of Guangxi’s cultural heritage.Based on field investigation,starting from the iconographical perspective,the paper uses Erwin Panofsky’s three-tiered theory of iconography to explore the artistic forms and cultural connotations of gray plaster decorations on Guangfu architecture in southern Guangxi,as well as their symbolic significance and societal aspirations in Guangfu culture from three layers of“pre-iconographical description”,“iconographical analysis”,and“iconological interpretation”.A series of strategies for preserving and inheriting the gray plaster decorative components in Guangfu vernacular architecture have been proposed,offering a fresh perspective on cultural heritage conservation in southern Guangxi and presenting innovative ideas for the modern application of traditional artistic forms.

关 键 词：图像学 桂南地区 广府建筑 灰塑 

分 类 号：TU-86[艺术—艺术设计]