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作 者:谢海林 谢鑫蕾 吴秋花 XIE Hai-lin;XIE Xin-lei;WU Qiu-hua(College of Chinese Language and Literature,Fujian Normal University,Fuzhou 350007,China;Editorial Department of South China Sea Studies Journal,Hainan Academy of Social Sciences,Haikou 571199,China)
机构地区:[1]福建师范大学文学院,福建福州350007 [2]海南省社会科学院《南海学刊》编辑部,海南海口571199
出 处:《海南师范大学学报(社会科学版)》2025年第2期74-81,共8页Journal of Hainan Normal University(Social Sciences)
基 金:国家社会科学基金一般项目“清代乾嘉以来宗宋思潮研究”(21BZW107)。
摘 要:田雯是清初著名的宋诗派诗人,在诗坛宗宋诗风刚刚兴起之时就走上了宗宋的道路,在学宋逐渐落入窠臼之时又主张学黄,将黄庭坚推举为宋人诗之冠的地位。田雯宗黄的诗学渊源上承自杜甫的诗学思想,下又受恩师申涵光及挚友王士禛等宗宋团体的影响,最终将宗尚黄庭坚的诗学理论与批评较为完整地反映在自己的诗文作品中,并引导着后学。田雯宗黄对清初诗学发展具有重要意义,不仅促进了宋诗的转型、调和唐宋,还推动了清初诗学发展的多样性,为清代黄诗接受打开了大门。Tian Wen,a famous poet of the Song-style poetry in the early Qing Dynasty,set out to venerate the Song-style poetry in times of its initial rise in the poetic world of the Qing Dynasty,and advocated learning from Huang Tingjian and elevated him to the crown of the Song-style poetry when the Song-style poetry veneration gradually declined.Tian Wen's poetic idea is,in terms of its source,inherited from Du Fu's poetic ideas,and influenced by his mentor Shen Hanguang and close friend Wang Shizhen,among other poetic groups of venerating Huang Tingjian in the Qing Dynasty.Moreover,Tian Wen ultimately reflected in his own poetic works the poetic theories and criticisms of Huang Tingjian veneration,and guided future studies in this aspect.Tian Wen's veneration of Huang Tingjian is of great significance to the development of poetry in the early Qing dynasty,which not only promoted the transformation of the Song-style poetry as well as reconciled the controversy over Tang-style and Song-style poetry,but also facilitated the diversity in the development of peotry in the early Qing dynasty,and thus ushered in the acceptance of Huang Tingjian's poems in the Qing Dynasty.
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