“我”与“历史”的缠绕--论莫言小说的历史书写模式:1985-1995  

The Interactivity between“I”and“History”--On the Mode of History Writing in Mo Yan's Novels(1985-1995)

作　　者：苏盛祺 SU Sheng-qi(School of Chinese Language and Literature,Nanjing Normal University,Nanjing 210097,China)

机构地区：[1]南京师范大学文学院,江苏南京210097

出　　处：《汉江师范学院学报》2025年第1期22-27,共6页Journal of Hanjiang Normal University

摘　　要：1985至1995年在莫言的创作史上具有重要意义,其与新历史主义文学思潮的发展同步。从《红高粱家族》《食草家族》到《丰乳肥臀》,莫言小说的历史书写模式形成并不断发生变化,其每个阶段都为历史小说提供了新的言说路径。泛话语层面“我”与“历史”的关系具有显见的症候性,主体浸入程度的加深、隐含作者的退隐与历史批判的复杂化是其变迁的特征。该时期艺术与思想上的不断探索深刻影响了莫言日后的创作,并为新历史小说的发展做出了独特的贡献。The years from 1985 to 1995 are of great significance in Mo Yan's creative history,which is also synchronous with the development of the new historicism literary trend.From Red Sorghum,The Herbivorous Family,to Big Breasts and Wide Hips,the mode of history writing in Mo Yan's novels has been formed and constantly changed,and each stage of which has provided a new path of narrative for historical novels.The relationship between“I”and“History”at the level of pan-discourse is clearly symptomatic,characterized by the deepening of the subject's immersion,the retreat of the implied author,and the complication of historical criticism.The continuous exploration of art and thought during this period profoundly influenced Mo Yan's later creations and made a unique contribution to the development of new historical novels.

关 键 词：莫言 历史书写 新历史主义 

分 类 号：I206.7[文学—中国文学]