“鲁迅崇拜”与文化反思——从《沉默之塔》之误译看周作人的鲁迅批评与心理投射  

“Cult of Lu Xun”and Cultural Critique:Zhou Zuoren’s Criticism of Lu Xun and Psychological Projection as Expressed through the Mistranslation of The Tower of Silence

作　　者：何家骏 HE Jiajun(College of Chinese Language and Literature,Hunan University,Changsha,Hunan 410000)

机构地区：[1]湖南大学中国语言文学学院,湖南长沙410000

出　　处：《绍兴文理学院学报》2025年第3期1-7,共7页Journal of Shaoxing University

摘　　要：周作人对鲁迅译作《沉默之塔》中一处误译的批评,为研究1949年之后周作人与鲁迅在身份、地位差异背景下的心理投射与文化反思提供了独特视角。梳理周作人与鲍耀明的通信,可见周作人对鲁迅“圣人化”形象的复杂态度,以及其批评背后所蕴含的情感动因与价值判断。周作人的批评不仅折射出他对1949年之后“鲁迅崇拜”这一文化现象的强烈排斥,也体现了他于自身地位失落之际力图重新确立自我身份的心理挣扎。尽管周作人的评论夹杂着明显的偏见与情绪化因素,但他对时代名人崇拜、历史评价体系及文人偶像化现象的深层思考,仍具有重要的文化反思意义与学术启示价值。An analysis of the correspondence between Zhou Zuoren and Bao Yaoming reveals Zhou’s complex attitude toward the“sanctification”of Lu Xun,as well as the deep emotional motives and value judgments underlying his critique.Zhou’s critique of a mistranslation found in Lu Xun’s rendition of The Tower of Silence offers a critical perspective for examining psychological projection and cultural critique in the context of the brothers’divergent statuses and identities after 1949.His criticism reflects not only his strong aversion to the cultural phenomenon of“cult of Lu Xun”following the founding of the People’s Republic of China but also his psychological struggle to reaffirm his self-identity amid his own status decline.While Zhou’s commentary is marked by evident biases and emotional undertones,its profound reflections on celebrity worship,historical evaluation systems,and the idolization of literary figures remain significant in cultural and scholarly discourse.

关 键 词：周作人 鲁迅 《沉默之塔》 偶像崇拜 心理投射 

分 类 号：I206.7[文学—中国文学] I210.96