“南京大屠杀”题材电影的历史书写与文化记忆重塑  

Historical Writing and the Reconstruction of Cultural Memory in Nanjing Massacre-Themed Films

作　　者：胡文博 HU Wenbo(School of Drama,Film and Television,Shanxi Normal University,Taiyuan 030031,China)

机构地区：[1]山西师范大学戏剧与影视学院,山西太原030031

出　　处：《信阳农林学院学报》2025年第1期67-71,共5页Journal of Xinyang Agriculture and Forestry University

摘　　要：南京大屠杀的文化记忆,经历了文字、图片、电影等多种媒介的变迁。电影是对“大众记忆”再编码的一种手段,电影反映历史事件的同时也在进行着记忆的治理,从而南京大屠杀的记忆也被不断地书写。围绕电影所建立的多媒介的网络使公众介入到对南京大屠杀的讨论之中,也让南京大屠杀文化记忆的发展迎来了不同的面向。电影储存了南京大屠杀的历史事件,重塑并继承其文化记忆。在公众的讨论和互动中,南京大屠杀的文化记忆已然发生了转变。The cultural memory of the Nanjing Massacre has evolved through diverse media forms such as texts,images,and films.Film serves as a means to recode"collective memory,"reflecting historical events while engaging in the governance of memory.Consequently,the memory of the Nanjing Massacre has been continuously reinterpreted.The multi-media network constructed around films enables public participation in discussions about the Nanjing Massacre,fostering diverse dimensions in the development of its cultural memory.By preserving historical events of the Nanjing Massacre,films reshape and perpetuate its cultural memory.Through public discourse and interaction,the cultural memory of the Nanjing Massacre has undergone significant transformation.

关 键 词：“南京大屠杀”题材电影 历史记忆 文化记忆 南京大屠杀 

分 类 号：I235.1[文学—中国文学]