演化之路、建构之维与意涵之思:“两生花”影视作品中的女性形象  

The Evolutionary Path,Constructive Dimensions,and Cultural Implications:Female Images in“Twin flower”Film and Television Works

作　　者：李琦[1] 刘也铃 LI Qi;LIU Yeling

机构地区：[1]湖南师范大学新闻与传播学院,湖南长沙410081

出　　处：《湖南师范大学社会科学学报》2025年第2期41-48,共8页Journal of Social Science of Hunan Normal University

基　　金：湖南省普通高等学校教学改革研究项目“智媒时代戏剧与影视学专业思政育人体系的建构与探索”(HNJG-20230228);湖南省研究生科研创新项目“媒介图景中双生意象的建构与传播研究”(CX20230507)。

摘　　要：“两生花”影视作品是现代社会对女性形象的社会镜像反映。双生意象来源于自然界的生殖现象,后逐渐演变为一种影视叙事模式。该模式通过对双女性角色的命运刻画完成个体与自我、个体与所处社会环境的镜像映照。在女性形象的建构中,该模式对女性角色的塑造始终与时代变迁同步,通过契合时代特征的人物原型的变形与组合诠释现代女性的新面貌,并透过双女性角色的内在关联展现女性对理想自我、完整自我的内在渴望。从更深的文化意涵审视,在父权文化与消费主义的合谋下,“两生花”影视作品试图揭示女性在现代社会中的真实处境,建立一套为女性发声的新话语体系,激发大众对女性自我意识及主体性的深度思考。然而,该类影视作品依然无法摆脱权力之网的束缚,文化偏见与消费主义被包装成一种精美的文化无意识,这也给女性带来了更隐蔽、更复杂的发展困境。The“Twin Flower”film and television works serve as social mirror image reflecting contemporary female images.The twin imagery,originally derived from reproductive phenomena in nature,has gradually evolved into a narrative framework in visual storytelling.This framework portrays the fate of dual female characters,establishing a reflective relationship between the individual and the self,as well as between the individual and society.In the construction of female images,this narrative mode has continuously adapted to historical transformations,shaping female characters in ways that align with contemporary social changes.By reshaping and merging female archetypes,it interprets the evolving identities of modern women.At the same time,the interconnection between dual female characters reveals a deeper yearning for an ideal and complete self.From a broader cultural perspective,these works attempt to expose the real conditions of women in modern society amid the interplay of patriarchal culture and consumerism,striving to establish a new discourse system that amplifies female voices and stimulates public reflection on female self-awareness and subjectivity.However,such productions remain entangled within power structures,as cultural biases and consumerism are subtly repackaged into an exquisite cultural unconscious,presenting women with even more covert and intricate challenges to their development.

关 键 词：“两生花”影视作品 女性形象 社会镜像 神话原型 消费主义 

分 类 号：I20[文学—中国文学]