王绣写意牡丹画的创新与传播  

On the Innovation in and Spreading of WANG Xiu′s Freehand Peony Paintings

作　　者：王姗姗 WANG Shanshan(College of Humanities,Roland University,Budapest 1085,Hungary)

机构地区：[1]罗兰大学人文学院,匈牙利布达佩斯1085

出　　处：《洛阳理工学院学报(社会科学版)》2025年第2期81-84,共4页Journal of Luoyang Institute of Science and Technology:Social Science Edition

摘　　要：牡丹画作为中国传统文化的重要组成部分,不仅展现中国花鸟画的美学典范,而且承载中华民族的精神世界,成为牡丹文化的重要载体。王绣的牡丹画在传承与创新中形成独特的风格,其作品以色彩明丽、设色典雅明快、构图饱满清秀著称,画作中洋溢生命气息。牡丹画作为洛阳牡丹文化的一种代表性符号,深受海内外花鸟画爱好者的青睐,成为河南美术界一张亮丽的文化名片。As an important part of traditional Chinese culture,peony paintings not only showcase the aesthetic model of Chinese flower and bird painting,but also carry the spiritual world and practical significance of the Chinese nation,becoming an important carrier of peony culture.WANG Xiu′s peony paintings have formed a unique style through inheritance and innovation,known for their bright colors,full composition,and clear brushwork.The paintings are full of vitality and are deeply loved and collected by flower and bird painting enthusiasts at home and abroad,becoming a beautiful cultural business card of the art world of Henan.

关 键 词：王绣 牡丹画 写意 

分 类 号：J205[艺术—美术]