史诗性电影的呈现、内涵与意义探究——以《封神第一部:朝歌风云》为例  

Exploration of the Presentation,Connotations,and Significance of Epic Films:A Case Study of“Creation of the Gods I:Kingdom of Storms”

作　　者：张渊 ZHANG Yuan(School of Literature,Shanxi Normal University,Taiyuan,Shanxi 030031)

机构地区：[1]山西师范大学文学院,山西太原030031

出　　处：《武夷学院学报》2025年第2期71-76,共6页Journal of Wuyi University

摘　　要：电影《封神第一部:朝歌风云》作为一部典型的史诗大片,它在呈现方式上,奇观化场景的塑造使电影拟真感十足,沉浸感和互动感为观众所获;内涵表现上,蕴藏于电影文本故事的讲述中,以人类权力体系的更迭运行和人的价值定位文体为切入;在价值意义上,探究了人类生存母题,其带来的活力与生机让中国史诗电影发展迎来新的可能性。As a quintessential epic film,“Creation of the Gods I:Kingdom of Storms”excels in its presentation style,where the creation of spectacular scenes lends a realistic feel,and immersive and interactive experiences are appreciated by audiences.In terms of connotations,the film delves into narratives embedded within the cinematic text,focusing on the evolution of human rights systems and the contextualization of human values.Regarding its significance,the film investigates themes of human survival,bringing vitality and vigor that herald new possibilities for the development of Chinese epic cinema.

关 键 词：史诗性 奇观化场景 人类生存母题 中国电影 

分 类 号：J9[艺术—电影电视艺术]