“和合”文化视域下青海民族音乐文本互文研究的时代价值  

An Intertextual Study of Qinghai Folk Music Texts from the Perspective of“Harmony”Culture and its Contemporary Significance

作　　者：王海龙 银珠桑毛 WANG Hai-ong;YIN ZHU Sang-mao(School of Music,Qinghai Normal University,Xining 810016,China;School of Arts,Qinghai University for Nationalities,Xining 810007,China)

机构地区：[1]青海师范大学音乐学院,青海西宁810016 [2]青海民族大学艺术学院,青海西宁810007

出　　处：《青海师范大学学报(社会科学版)》2024年第6期134-138,共5页Journal of Qinghai Normal University(Social Sciences)

基　　金：国家民委民族研究后期资助项目“青海民间传统乐舞论”(2023-GMH-003)。

摘　　要：作为文学概念的互文,跨学科应用于解构音乐文本叙事时,其通过吸收其他文本后进行转化和二次编辑的特性,对应着音乐文本在创作过程中对其他民族文化记忆和审美倾向的吸收,也对应了“和合”文化在不同维度的具体表达。青海作为一个多民族地区,其地方音乐文本互文与互交的特性深刻反映了“和合”文化特质,并将“和合”文化内涵多维彰显在青海地方民间音乐文本的记忆、符号与叙事中。多民族多类型音乐文本的多维叙述充分体现在青海地区多民族“花儿”音乐文本现象上。青海地方曲艺也有讲述孟姜女的故事,说明孟姜女并不是某一个群体或地域特有,而是各民族多代人共同编辑互文延续的集体记忆和象征。因此,“和合”文化视域下的青海民族民间音乐文本互文研究具有时代价值。Qinghai is a multi-ethnic region,and the intertextual and interactive characteristics of its local music texts profoundly reflect the cultural characteristics of“harmony and harmony”,and the cultural connotation of“harmony and harmony”it demonstrates is multi-dimensionally reflected in the memory of local folk music texts in Qinghai,in Symbols and Narrative.Based on the interdisciplinary research results of previous generations,and with reference to the traditional Chinese philosophy—Hehe Culture,this article conducts a comparative analysis of Qinghai's multi-ethnic music culture,digs into its historical and humanistic memory,and uses shared symbols to support its emotional exchanges.Under the cultural perspective of“harmony”,we conduct research on the narrative of Qinghai local music texts,study the intertextuality of Qinghai folk music texts,and explore their significance and value in contemporary society.

关 键 词：和合文化 民间音乐 互文性 中华民族共同体意识 

分 类 号：J607[艺术—音乐]