新质生产力背景下的高校艺术赋能与文旅融合——以艺术剧场“倾听·康陵”遗址创新展陈为例  

Art Empowerment of Universities and Culture-Tourism Integration Under the Background of New Quality Productive Forces--A Case Study of the Innovative Exhibition of the Art Theater"Listening to Kang Mausoleum"

作　　者：郑敏[1] ZHENG Min

机构地区：[1]星海音乐学院博物馆

出　　处：《星海音乐学院学报》2024年第2期154-168,共15页Journal of Xinghai Conservatory of Music

基　　金：广东省教育厅高等学校科研创新团队项目“音乐博物馆文化保育传承与传播实践研究”(项目号:2022WCXTD012)最终成果。

摘　　要：新质生产力视域下,艺术赋能机制正重构文旅融合的创新路径。“遗址剧场化”通过空间叙事与历史语境的互文性建构,实现了艺术作品突破传统表达的局限,在与遗址空间的历史互文和场域精神对话中,探索形成遗址“活化”的非同质化路径。文章以广州南汉二陵博物馆“康陵”遗址的沉浸式艺术剧场《倾听·康陵》为研究样本,解析艺术符号与考古场域跨媒介叙事策略,揭示艺术赋能下文化遗产多模态阐释系统,如何通过“物质遗存—艺术符号—认知体验”的“互文”转译路径重塑公众认知。在此基础上,研究进一步探讨高校艺术智识生产与文旅产业实践结合机制,构建文化遗产活化路径,为破解文旅融合中的同质化困境提供解决方案。Under the perspective of new quality productive forces,the mechanism of art empowerment is reconstructing the innovative path of culture-tourism integration."site theatricalization"breaks the limitations of traditional expressions of artistic works through the intertextual construction of spatial narrative and historical context.In the dialogue with historical intertextuality and field spirit of the site space,it forms the non-homogeneous path of"revitalizing"the site.Taking the immersive art theater"Listening to Kang Mausoleum"at the site of the Kang Mausoleum of Guangzhou Southern Han Mausoleums Museum as a study sample,this paper analyzes the cross-media narrative strategy of artistic symbols and archaeological fields,reveals the multimodal interpretation system of cultural heritage empowered by art,and how the"intertextual"translation process of"material heritage-artistic symbols-cognitive experience"reshapes public cognition.On this basis,the study further explores the mechanism of combining artistic knowledge production of universities with practice of culture-tourism industries,constructs a path for the revitalization of cultural heritage,and offers solutions to the dilemma of homogeneity in culture-tourism integration.

关 键 词：新质生产力 艺术赋能 文旅融合 文化遗产 高校创新 

分 类 号：J60[艺术—音乐]