布尔加科夫小说《不祥的蛋》中作者形象分析  

Analysis of the Authorial Image in Bulgakov’s Novel The Fatal Eggs

作　　者：曹晗钰 CAO Hanyu(Beijing Foreign Studies University,Beijing 100089,China)

机构地区：[1]北京外国语大学俄语学院,北京100089

出　　处：《衡水学院学报》2025年第2期113-116,共4页Journal of Hengshui University

摘　　要：俄国语言学家、文艺学家维诺格拉多夫曾将语言学和文艺学研究方法相结合,汇总成为文学修辞学的范畴,“作者形象”理论便是其中的核心概念之一。维氏认为,“作者形象”体现在文学活动的全过程中,包括创作、文学产品、鉴赏三个环节。它指的是作家在文学作品中对于所描绘世界的评价态度,以及作者对待民族语的态度。在维氏理论的基础上,从现实作者、文学作品叙述者以及读者三个角度切入,对布尔加科夫小说《不祥的蛋》进行作者形象分析。小说中作者形象的突出特点表现为“反乌托邦式”和“非传统的现实主义”的风格,这为文学研究提供了一个将思想与语言、内容与形式相统一的具体可行的视角和思路。Vinogradov,the Russian linguist and literary scholar,once combined linguistics and literary research methods into the category of literary rhetoric,and the theory of“authorial image”is one of the core concepts.Vinogradov believes that the“authorial image”is embodied in the whole process of literary activities,including three links:creation,literary products and appreciation.It refers to the writer’s evaluative attitude towards the depicted world in literary works and the author’s attitude towards national language.On the basis of Vinogradov’s theory,the authorial image of Bulgakov’s novel The Fatal Eggs is analyzed from three perspectives:the real author,the narrator of literary works and the reader.The prominent characteristics of the authorial image in the novel are expressed as“dystopian”and“non-traditional realism”style,providing a concrete and feasible perspective and approach for literary research that unifies thought and language,content and form.

关 键 词：布尔加科夫 《不祥的蛋》 作者形象 维诺格拉多夫 

分 类 号：I106.4[文学—世界文学]