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作 者:祝明惠 童秋利 ZHU Minghui;TONG Qiuli(School of Arts and Communication,Beijing Normal University,Beijing 100875,China;Department of Film and Media Studies,University of Washington,Seattle 98105,USA)
机构地区:[1]北京师范大学艺术与传媒学院,北京100875 [2]华盛顿大学电影与媒介研究系,美国西雅图98105
出 处:《重庆邮电大学学报(社会科学版)》2025年第2期155-163,共9页Journal of Chongqing University of Posts and Telecommunications(Social Science Edition)
基 金:国家留学基金委艺术类人才特别培养项目(202306040039)。
摘 要:研究了中国虚拟现实艺术中的情感生态和虚拟现实艺术在中国文化影响下的独特艺术形态后发现,中国虚拟现实艺术通过景观的媒介化呈现和建构,形成了技术和文化上的“数字崇高”,并在此基础上,观众与机器的互动构筑了人类世与后人类世交叠的生态美学。研究采用词源分析、美学特质分析和媒介表达范式还原等方法,揭示了中国虚拟现实艺术在表达范式、技术美学、参与美学和生态美学方面的特点。研究结果表明,中国虚拟现实艺术不仅反映了中国民众的情感取向,也映射出当代艺术的文化内核和心理构架。中国虚拟现实艺术中的情感生态基于中国在地性的“场所之爱”,在虚拟现实艺术中创设出属于国族记忆的回忆空间,并透露出深刻的乌托邦情感。这一发现指出了中国虚拟现实艺术在情感生态学中的创新点,即其如何通过数字技术与中国文化的结合,创造出具有中国特色的艺术体验和情感表达。通过分析中国虚拟现实艺术作品,研究提出了中国当代艺术与全球艺术互动的新视角,并探讨了中国当代艺术的文化基因和发展路径。This study explores the emotional ecology in Chinese virtual reality art and analyzes the unique artistic forms of virtual reality art under the influence of Chinese culture.The research finds that Chinese virtual reality art,through the mediated presentation and construction of landscapes,forms a“digital sublime”in both technological and cultural aspects.Based on this,the interaction between the audience and the machine constructs an ecological aesthetics that overlaps the Anthropocene and post-Anthropocene.The study employs methods such as etymological analysis,aesthetic trait analysis,and media expression paradigm reduction to reveal the characteristics of Chinese virtual reality art in terms of expressive paradigms,technical aesthetics,participatory aesthetics,and ecological aesthetics.The results indicate that Chinese virtual reality art not only reflects the emotional orientation of the Chinese people but also mirrors the cultural core and psychological structure of contemporary art.The emotional ecology in Chinese virtual reality art,based on the local“love of place”in China,creates a memory space belonging to national memories and reveals profound utopian emotions.This finding highlights the innovation of Chinese virtual reality art in emotional ecology,showing how the integration of digital technology and Chinese culture creates a distinctive artistic experience and emotional expression with Chinese characteristics.By analyzing Chinese VR artworks,this study presents a new perspective on the interaction between contemporary Chinese art and global art and explores the cultural genes and development paths of contemporary Chinese art.
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