乡愁共同体:当代中国影视文化的审美现代性表征  

Community of Homesickness:Aesthetic Modernity Representationin Contemporary Chinese Film Culture

作　　者：孙开晗 Kaihan SUN(Shandong University)

机构地区：[1]山东大学文艺美学研究中心

出　　处：《马克思主义美学研究》2024年第2期55-69,397,共16页Research on Marxist Aesthetics

基　　金：中国文学艺术基金会、中国文学艺术发展专项基金资助;国家社科基金艺术学重点项目“生态艺术学建构研究”(23AA001)阶段性成果

摘　　要：当代中国影视作品热衷于以“乡愁”为潜在主题进行现代性叙事,出现了多乡愁内涵、多表达形式、多传播渠道的“新乡愁”和“泛乡愁”现象。文本内乡愁共同体成员的情感体验与观众产生情感共鸣,形成了文本与现实相连通的带有集体性、呼应性与超地域性质的“乡愁共同体”。“乡愁共同体”构建的运作机理和情感逻辑契合了影视共同体美学的内涵宗旨,推动当代社会群体透过影像寻得情感认同的庇护场域,在影像“伪真实”中重温并体验真实感受。中国语境中的“乡愁”在影像中的“美学”和“共同体”化,重建了当代人的心理秩序,有助于理解中国式现代化进程中文艺审美经验的“情感结构”的历史化生成。Contemporary Chinese film and television works are enthusiastic about using“homesickness”as a potential theme for modern narrative,resulting in the phenomenon of“new homesickness”and“pan homesickness”with multiple homesickness connotations,forms of expressions,and channels of communication.The emotional experience of the members of the homesickness community in the text resonates with the audience,forming a“homesick⁃ness community”that is connected to reality with collective,echoing,and super⁃regional characteristics.The operational mechanism and emotional logic of building a“community of homesickness”are in line with the connotation and purpose of the aesthetics of the film and television community,promoting contemporary social groups to find a shelter for emotional i⁃dentity through images,and to revisit and experience real feelings in the“pseudo⁃reality”of images.The“aesthetics”and“community”of“homesickness”in the Chinese context in the video have reconstructed the psychological order of contemporary people,which is helpful to understanding the historical generation of the“emotional structure”of literary and artistic aes⁃thetic experience in the process of Chinese path to modernization.

关 键 词：乡愁 乡愁共同体 共同体美学 华语影视 审美现代性 

分 类 号：J992[艺术—电影电视艺术]