《郊居赋》与沈约的“郊居”赋义  

The Poetic Exposition on Suburban Dwelling and Shen Yue’s Interpretations to Suburban Dwelling

作　　者：袁劲[1] Yuan Jin

机构地区：[1]武汉大学文学院

出　　处：《中国美学研究》2024年第2期207-219,共13页

基　　金：国家社科基金重大项目“中国文论关键词研究的历史流变及其理论范式构建”(22&ZD258)阶段性成果

摘　　要：依据《郊居赋》及《梁书》所载相关史事可知,天监九年,七十岁的沈约于东郊立宅并作《郊居赋》。不同于《山居赋》所代表的传统隐逸书写,《郊居赋》的重心不在铺陈山水,而是“苞括宇宙”之沧桑与“总览人物”之悲欢。作为“一代辞宗”,沈约还将其与王筠、刘显、刘杳、何思澄等文坛后辈的题壁、报书、知音、真赏等诗文活动,纳入“郊居”的人文景观。经过立宅造园和品诗论文的积极赋义,“郊居”成为文学史上的地理意象和萧梁一代的文论地标。According to The Poetic Exposition on Suburban Dwelling and the relevant historical events contained in Liang Shu,in the ninth year of Tianjian,the seventy-year-old Shen Yue began to dewll in the eastern suburb of Jiankang and composed The Poetic Exposition on Suburban Dwelling.Different from the traditional poetic exposition on hermit,focus of The Poetic Exposition on Suburban Dwelling is not on the narrative of landscape,but the vicissitudes of time and space and overview of people’s sadness and happiness.As a generation’s master,Shen Yue also with Wang Yun,Liu Xian,Liu Yao,He Sicheng and other literary descendants,copied poetics on the wall,kept on exchanging letters,and appreciated the ideas in literary works.Through the positive assignments of building a dwelling,as well as artistic creation and appreciation,suburban dwelling became a geographical image in the history of literature and landmark in the literary theory of Liang Dynastiy.

关 键 词：郊居 《郊居赋》 沈约 地理意象 文论地标 

分 类 号：I207.22[文学—中国文学]