论南朝的“华辩”学风与文风——以周颙为中心的考察  

On the Academic Atmosphere and Literary Style of“Hua Bian”in the Southern Dynasties:A Study Centered Around Zhou Yong

作　　者：丁涵 Ding Han

机构地区：[1]南开大学文学院

出　　处：《古代文学理论研究》2024年第2期167-185,共19页Studies of Ancient Chinese Literary Theory

基　　金：南开大学亚洲研究中心项目“三国两晋南北朝边疆纪行文学文献集成与研究”(AS2408)成果之一

摘　　要：“华辩”原是从魏晋清谈活动中逐渐衍生而来的独特言语行为。至迟在南朝齐梁间,“华辩”不仅形成一种流行的学术风气,而且还演变为文学风格的关键词之一。围绕周颙的言辞、文辞所体现的“华辩”学风,其内容旨趣是儒、道、佛学理的沟通或比较;形式特征则是精于辨说,深通藻绘,善晓音律。“华辩”不止是对汝南周氏学派文化精髓的高度概括,也是透视南朝学风和文风嬗变的一面棱镜,折射出当时玄学、儒思与佛理的互动情况,以及辞华、辩赡、韵雅的语言风格从口头到书面的入渗轨迹。“Hua Bian”was originally a unique speech act that gradually emerged from the activities of the Wei-Jin pure conversation.At the latest during the Southern Qi and Liang dynasties,“Hua Bian”not only formed a popular academic atmosphere,but also evolved into one of the key words of literary style.The academic atmosphere of“Hua Bian”reflected in Zhou Yong's words and writing is aimed at the communication or comparison of Confucianism,Taoism,and Buddhist philosophy.The characteristics are proficiency in debate,deep understanding of rhetoric,and good knowledge of tonality.“Hua Bian”is both a highly summarized representation of the cultural essence of the Zhou Clan in Runan and a prism that reveals the evolution of the academic atmosphere and literary style in the Southern dynasties.It reflects the interaction between metaphysics,Confucianism,and Buddhist philosophy at that time,as well as the trajectory of eloquent,rhetorical and tonal language styles from oral to written.

关 键 词：“华辩” 辨说 藻绘 音律 学风与文风 

分 类 号：I206.2[文学—中国文学] K239.1[历史地理—历史学]