世阿弥的艺术思想与禅宗美学——以身体表现的“舍”为中心  

Zeami’s Artistic Thought and Zen Aesthetics—Focus on the“Reduce”(舍)of Body Expression

作　　者：王歆昕 

机构地区：[1]广东外语外贸大学日语语言文化学院

出　　处：《日本学研究》2023年第1期264-279,共16页

摘　　要：世阿弥是活跃于日本室町初期的能乐艺术家,他深受禅文化的影响,并将禅思想应用到自己的艺术表现中。从早期的能乐论《风姿花传》到《花镜》等中后期能乐论,他的艺术理想呈现为由“形(花=幽玄)”到“心(心=幽玄)”的变化,艺术手法也显示了一个从写实到抽象的变化过程,其中,“舍”作为最重要的抽象化手法之一,在表现方法与意图上都与禅画的“减笔”有异曲同工之妙。“舍”与“减”是禅的“简”之美的重要表现,皆重在舍弃细节而一举把握本质,以呈现根源的内在精神。Zeami was a Noh artist active in the early days of Muromachi period,He was deeply influenced by Zen culture and applied the thoughts of Zen to his artistic expression.From the early Noh theory book Fushikaden(『風姿花伝』)to Kakyo(『花鏡』),his artistic theories are presented as a change from“exterior shape[Hana(花)=Yūgen(幽玄)]”to“interior soul[Kokoro(心)=Yūgen(幽玄)]”.The performance technique also shows a process of change from realism to abstraction.As one of the most important abstraction techniques,the“reduce”(舍)of body expression,is wonderfully similar to the reductive painting technique in Zen painting in terms of expression technique and intention.As the important manifestation of the Zen Aesthetics of“simple”,both of them focus on abandoning details and grasping the essence in one fell swoop,so as to present the rooted inner spirit.

关 键 词：世阿弥 能乐 能乐论 禅宗美学 

分 类 号：I313.06[文学—其他各国文学]