对“名将论”与“愚将论”的超越——论井上厦《感慨日本·乃木大将》  

Transcending the Dichotomy Between Great General and Ignorant General—A Study of Inoue Hisashi’s Simijimi-Nippon·Nogitaisho

作　　者：张雅蒙 

机构地区：[1]电子科技大学外国语学院

出　　处：《日本学研究》2023年第1期231-248,共18页

基　　金：国家社会科学基金重大项目“近代以来中日文学关系研究与文献整理(1870-2000)”(17ZDA277)的阶段性成果之一

摘　　要：一度销声匿迹的“军神”乃木希典随着20世纪70年代前后日本社会掀起的“明治热潮”重新回到公众视野,引发了“名将”与“愚将”的论争。井上厦在戏剧《感慨日本·乃木大将》中设置了“戏中戏”结构并运用戏仿手法,以回应时代状况:该剧超越了言论界乃木评价二元对立之图式,塑造了具有“丑角”和“情欲”两种特征的乃木形象,试图解构自明治时代起便广为流传的“军神”神话;面对战争记忆逐渐风化、大众肆意消费历史的状况,该剧“马腿的表演”结构揭露了“无论谁都能变身为乃木将军”这一根本问题,构成了审视“何为日本、何为日本人”的场域,旨在向大众指明藏匿于“明治热潮”中的意识形态暗流和无节制地消费历史所蕴含的危险。After a prolonged disappearance,General Nogi Maresuke,known as God of Military,came back to public view in accompany with the The Meiji boom around the 1970s,and triggered the Great general versus Ignorant general debate.Inoue Hisashi adopted the structure of play within play as well as parody in his drama Simijimi-Nippon·Nogitaisho in response to the vogue of that times:By deconstructing the myth of which has been widely spread since the Meiji era,this drama transcended the binary opposition among the critics to demonstrate a multi-faceted personality,and successfully created Nogi’s image that combines aspects of clown and lust;In the face of the gradual loss of war memories and the unscrupulous consumption of historical figures,the form of“The performance of Horse legs”reveals the fundamental question that anyone might turns into General Nogi.This drama is an examination of“what is Japan and what is Japanese”,aiming to expose to the public the ideology underlying in the Meiji boom and the dangers of the immoderate consumption of history.

关 键 词：井上厦 乃木希典 戏中戏 戏仿 明治热潮 

分 类 号：I313.073[文学—其他各国文学]