媒体作为现代建筑  

Media as Modern Architecture

作　　者： 郭力娜(译) 王颖(校)[2] Beatriz COLOMINA;GUO Lina;WANG Ying

机构地区：[1]美国普林斯顿大学 [2]同济大学建筑与城市规划学院

出　　处：《时代建筑》2024年第6期108-112,共5页Time + Architecture

摘　　要：文章探讨了建筑与媒体的交集,重点关注现代建筑是如何通过照片、模型和出版物的表现形式而发生转变的。文章以密斯·凡·德·罗为例,讨论了他的“纸上”项目―尽管从未建成―如何成为他的重要遗产。文章强调了建筑师如何受媒体的影响,在设计建筑时有意识地考虑其照片的表现形式,从而使图像成为建筑话语不可分割的一部分。建筑史学者托马斯·德曼的作品是这一现象的当代反映,他根据媒体图像建造模型,然后在拍摄后将其销毁。德曼的方法与传统建筑形成鲜明对比,他将图像同时视为主体和媒介,模糊了建筑与其表现形式之间的界限。文章最终认为,现代建筑与其视觉文化,以及图像转瞬即逝的特性有着内在联系。This article explores the intersection of architecture and media,focusing on how modern architecture has transformed through its representation in photographs,models,and publications.Using Mies van der Rohe as a key example,the article discusses how his"paper"projects,despite never being built,became pivotal in establishing his legacy.It highlights how architects,influenced by media,design buildings with an awareness of their photographic representation,thus making images an integral part of architectural discourse.The work of artist Thomas Demand is examined as a contemporary reflection of this dynamic,where he constructs models based on media images and then destroys them after photographing them.Demand's approach contrasts with traditional architecture by treating images as both the subject and the medium,blurring the line between architecture and its representation.The article ultimately argues that modern architecture is inherently tied to its visual culture and the fleeting,ephemeral nature of images.

关 键 词：现代建筑 媒体再现 图像传播 托马斯·德曼 密斯·凡·德·罗 

分 类 号：J419.3[艺术—摄影艺术] TU-80[艺术—艺术设计]