浩渺时空下的人生意趣——《春江花月夜》蕴含的时空观研究  

Research on Space-Time Consciousness in A Moonlit Night on the Spring River with Blossoming Flowers

作　　者：孙敏 Sun Min(School of Philosophy and Sociology,Hebei University,Baoding 071000 China)

机构地区：[1]河北大学哲学与社会学学院,河北保定071000

出　　处：《西安文理学院学报(社会科学版)》2024年第4期51-55,共5页Journal of Xi’an University(Social Science Edition)

摘　　要：唐代张若虚所作的《春江花月夜》,上承六朝文学的婉约细腻,下启盛唐气象的蓬勃朝气,融诗入画,描绘了一幅春季月夜笼罩下的浩渺江水图。题目中的五字组合成五处审美意象:以“春”“月”“夜”为时间意象,以“花”“江”为空间符号,构建了物我两忘的静观世界,突出了无限宇宙与有限人生之恒常张力。时空意识是本诗隐含的重要线索,超越物理时空的界定,是促成情、景、理交融的有力工具,由此呈现出活泼的生命气象。在叙事层面,通过想象月夜下彼此牵挂的游子思妇,运用空间场景互换这一手段,突出了中国美学“得意忘象,得象忘言”的特征,表达了豪迈旷达的盛唐气象。The poem A Moonlit Night on the Spring River with Blossoming Flowers written by Zhang Ruoxu in the Tang Dynasty inherits the elegance and delicacy of the literature of the Six Dynasties and inspires the vigorous vitality of the prosperous Tang Dynasty.It blends poetry into painting,depicting a vast river under the cover of spring moon night.The five characters in the title are combined into five aesthetic images:using“spring”,“moon”,and“night”as time images,and“flowers”and“river”as spatial symbols,a static observation world of forgetting things and ourselves is constructed,highlighting the constant tension between the infinite universe and limited life.The consciousness of time and space is an important clue implied in this poem,transcending the boundaries of physical time and space.It is a powerful tool for promoting the integration of emotions,scenery,and reason,thus presenting a lively atmosphere of life.At the narrative level,by imagining wandering children and women who are concerned about each other under the moonlit night,and using the method of exchanging spatial scenes,the characteristic of Chinese aesthetics of“forgetting the image and forgetting the words”is highlighted,expressing the heroic and broad-minded atmosphere of the prosperous Tang Dynasty.

关 键 词：时空观 唐代诗歌 《春江花月夜》 宇宙意识 人生哲学 

分 类 号：I207.22[文学—中国文学]