镶嵌绿松石铜牌饰形象结构、源流及功能分析  

Analysis of the Image Structure,Origin and Function of the Inlaid Turquoise Bronze Medal Decoration

作　　者：孙蒙蒙 Sun Mengmeng(Department of Archaeology,University of Chinese Academy of Social Sciences,Beijing,102488)

机构地区：[1]中国社会科学院大学考古系,北京102488

出　　处：《博物院》2024年第5期44-54,共11页Museum

摘　　要：本文在镶嵌绿松石铜牌饰类型学分析的基础上对不同类型铜牌饰的构成要素进行分类解读。通过对其形象结构、源流等方面的解析,认为这些铜牌饰接受了南北方龙文化崇拜,并在借鉴融合不同动物纹饰、外形特征、艺术表现形式的基础上,创新并发展了本地区以“龙”为主体地位的精神象征。Based on the typological analysis of inlaid turquoise bronze medals,this paper classifies and interprets the constituent elements of different types of bronze medals,and analyzes their image structure,origin and other aspects.It is believed that these bronze medals have accepted the worship of“dragon”culture in the south and north,and have innovated and developed the spiritual symbol of“dragon”as the main body in the region on the basis of drawing on the integration of different animal decorations,appearance characteristics and artistic expressions.

关 键 词：铜牌饰 眼睛 额冠 文化融合 身份象征 

分 类 号：K876.41[历史地理—考古学及博物馆学] B933[历史地理—历史学] J522[哲学宗教—宗教学]