《长安三万里》中盛唐服饰文化元素解析  

Analysis of Costume Cultural Elements in the Tang Dynasty in Thirty Thousand Miles of Chang'an

作　　者：郑迎春 尹志红 赵文萍 赵露 Zheng Yingchun;Yin Zhihong;ZHAO Wenping;ZHAO Lu(School of Fashion,Wuhan Textile University,Wuhan,Hubei 430073,China)

机构地区：[1]武汉纺织大学服装学院,湖北武汉430073

出　　处：《浙江纺织服装职业技术学院学报》2025年第1期56-63,共8页Journal of Zhejiang Fashion Institute of Technology

基　　金：武汉纺织大学“中西服饰文化合璧理念下的男装结构设计研究”(2022317)。

摘　　要：本文将文献研究和历史考古相结合,运用图像学原理对《长安三万里》中的盛唐服饰文化元素与剧情表达进行解析。认为《长安三万里》中的影视服装设计、影视人物造型、影视道具等充分参考了唐画、唐俑的艺术风格,比较真实地复原了盛唐时期优秀的传统历史文化,其服饰款式、色彩与纹样均基于历史素材;《长安三万里》中穿胡服、女着男装以及工艺精湛的服饰等的刻画展现了大唐璀璨的文化,反映了唐代政治开明、国泰民安、经济繁荣的盛唐气象;《长安三万里》服饰文化元素基本符合历史,同时又结合了现代美学,在影视表达上统筹了时代审美和文化内涵。This paper combines literature research and historical archaeology,and uses the principle oficonography to analyze the cultural elements and plot expression of Tang costume in Thirty Thousand Miles ofChang'an.It is believed that the costume design,character modeling and props in Thirty Thousand Miles ofChang'an fully refer to the artistic style of Tang painting and Tang terracotta figures,and truly restore the excellent traditional historical culture in the height ofthe Tang Dynasty.Its clothing styles,colors and patterns are all based on history.In Thirty Thousand Miles ofChang'an,the depictions of Hu clothing,women wearing men's clothes and exquisite clothing and accessories show the bright culture ofthe Tang Dynasty,reflecting the political openness,national peace and prosperity and economic flourishing of the Tang Dynasty.The costume culture elements in Thirty Thousand Miles ofChang'an are basically in line with history,while also combining with modern aesthetics and balancing contemporary taste with cultural depth in film and television expression.

关 键 词：《长安三万里》 影视服装设计 影视人物造型 影视道具 服饰文化 

分 类 号：TS941.11[轻工技术与工程—服装设计与工程]