束缚与自由:西方芭蕾演进中的两股驱动力  

Bondage and Freedom: two Driving Forces in the Evolution of Western Ballet

作　　者：张大策 Zhang Dace

机构地区：[1]沈阳音乐学院舞蹈学院

出　　处：《乐府新声(沈阳音乐学院学报)》2025年第1期161-168,共8页The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)

摘　　要：以西方芭蕾的演进历程为探索对象,旨在深入揭示五个阶段芭蕾艺术的孕育和发展脉络,并剖析其背后的社会背景因素。通过对五个不同历史阶段代表人物、事件、作品形式与内容的分析,力求捕捉芭蕾艺术演变过程中的创新轨迹。同时,进一步探讨芭蕾艺术在不同历史阶段中“束缚与自由”的多元展现,并深入挖掘这些因素如何对西方芭蕾的发展进程产生阻碍或推动的影响。通过研究,旨在为学习、研究西方芭蕾发展史提供一条具有深刻见解和独特价值的线索,从而加深人们对芭蕾艺术深层文化内涵的理解与欣赏。Taking the evolution of Western ballet as the object of exploration, this paper aims at deeply reveal the gestation and development context of ballet art in five periods, and analyze the social background factors behind it. Through the analysis of representative figures, events, work forms and contents in these periods, it strives to capture the evolution trajectory and innovation points of ballet art. Furthermore, it will explore the diverse manifestations of constraint and freedom in ballet art at different historical stages, and deeply excavate how these factors hinder or promote the development process of Western ballet. Through this research,it aims at provide a clue with profound insights and unique value for studying the history of Western ballet development, thereby deepening people's understanding and appreciation of the deep cultural connotation of ballet art.

关 键 词：西方芭蕾史 演进 自由 束缚 

分 类 号：J709[艺术—舞蹈]