宗教景观·文学景观·政治景观:延安宝塔的身份转变述论  

Religious Landscape·Literary Landscape·Political Landscape:Discussion on the Identity Transformation of Yan’an Pagoda

作　　者：刘向斌 李玉香 LIU Xiang-bin;LI Yu-xiang(School of Liberal Arts,Yan’an University;Library,Yan’an University,Yan’an 716000,Shaanxi)

机构地区：[1]延安大学文学与新闻传播学院 [2]延安大学图书馆,陕西延安716000

出　　处：《延安大学学报(社会科学版)》2025年第2期81-87,F0003,共8页Journal of Yan'an University (Social Sciences Edition)

基　　金：延安市社会科学专项资金规划项目“延安文学景观研究——以宝塔山为例”(24BWY55)。

摘　　要：景观一般是指特定区域所呈现的视觉景象。追溯延安宝塔的景观身份转变历程,发现其先后经历了从宗教景观到文学景观、从文学景观到政治景观的多重身份转变。唐宋时期的“锁骨菩萨”传说是对延安宝塔的宗教书写,故该时期的宝塔依然是宗教景观。在明清时期,随着文人们的诗意书写频次的增加,促使宝塔初步脱离了宗教景观身份,并转变成为文学景观。而在延安时期,中外知识分子们的延安书写更是赋予宝塔新的政治内涵,终使其获得了政治景观的新身份。延安宝塔最终成为具有人文属性的政治景观,这是多种因素叠加效应的结果。Landscape generally refers to the visual scene presented in a specific area.Tracing the landscape identity transformation process of the Yan’an Pagoda,it is found that it has experienced multiple identity transformations from religious landscape to literary landscape,and from literary landscape to political landscape.The legend of“clavicular bodhisattva”in the Tang and Song Dynasties was a religious writing of the Yan’an Pagoda,so the pagoda in that period was still a religious landscape.During the Ming and Qing Dynasties,with the increase in the frequency of poetic writing by literati,the pagoda was initially separated from its religious landscape identity and transformed into a literary landscape.During the Yan’an Period,the Yan’an writing of Chinese and foreign intellectuals gave the pagoda a new political connotation,which finally gave it a new identity in the political landscape.Yan’an Pagoda eventually became a political landscape with humanistic attributes,and this was the result of the superposition of many factors.

关 键 词：延安宝塔 文学景观 身份转变 

分 类 号：I206[文学—中国文学]