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作 者:田宝祥 TIAN Bao-xiang(School of Philosophy and Sociology,Lanzhou University,Lanzhou 730000,Gansu)
出 处:《延安大学学报(社会科学版)》2025年第2期88-93,共6页Journal of Yan'an University (Social Sciences Edition)
基 金:兰州大学“中央高校基本科研专项”重点研究基地建设项目“中华优秀传统文化浸润宗教的理论和实践研究——以甘肃省为例”(2024jbkyjd005)。
摘 要:中国古典诗学具有求善、问道的价值倾向以及天人合一、物我合一的境界追求。“合一”的本质是“和合”而非“同一”,这一观念特质寓于历史深处的周秦之变与唐宋之变。黄河文化的内涵生成以《诗经》之书写最为真切,《诗经》所涌现的黄河意象悠长而多元,黄河成为《关雎》男女爱恋的情感境域,《硕人》揭示美人之姿与黄河之态的呼应关系,《生民之什》勾画黄河流域人与自然和谐共生的明朗景观。黄河文化的内涵拓展以“咏黄诗”之呈现最为鲜活,“长河”成为王维审美结构中的天地象征,黄河气势的壮美雄奇助力李白诗歌风格与诗歌个性的最终炼成。转向现代诗学语境,黄河之水、黄河流域以及黄河文化作为重要的故土符号,通达诗人的自我情感与家国情愫,连接黄土大地的精神气象与现实命运。Chinese classical poetics has a value tendency of seeking goodness and questioning,as well as a pursuit of the unity of heaven and man,and the unity of things and oneself.The essence of“unity”is“harmony”rather than“uniformity”,and this conceptual trait is embedded in the historical changes of the Zhou and Qin Dynasties and the Tang and Song Dynasties.The connotation formation of the Yellow River culture is most vividly depicted in the writings of The Book of Songs.The imagery of the Yellow River in The Book of Songs is long and diverse.The Yellow River has become the emotional realm of love between men and women in Guan Ju.Shuoren reveals the correspondence between the beauty and the state of the Yellow River,while Shengmin outlines the bright landscape of harmonious coexistence between human and nature in the Yellow River Basin.Turning to the sequence of“Ode to the Yellow River”,“Long River”became a symbol of heaven and earth in Wang Wei’s aesthetic structure,and the magnificent and majestic momentum of the Yellow River helped Li Bai’s poetic style and personality to be ultimately refined.Returning to the context of modern poetics,the Yellow River Basin,as a cultural symbol of homeland and local culture,connects the poet’s self-emotions and patriotism,and links the spiritual atmosphere and real destiny of the Loess Plateau.
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