多元视角下中国歌剧创作的民族化与国际化融合  

An Analytical Exploration of Chinese Opera Creation from a Multifaceted Perspective

作　　者：卢骥 LU Ji(College of Music,Jimei University,Xiamen 361021,China)

机构地区：[1]集美大学音乐学院,福建厦门361021

出　　处：《集美大学学报(哲社版)》2025年第2期85-91,共7页Journal of Jimei University(Philosophy and Social Sciences)

摘　　要：从多元文化视角探析了中国歌剧创作的民族化与国际化融合路径。通过分析典型案例《沂蒙山》和《骆驼祥子》,发现当前中国歌剧民族化方面创新力不足,海外视野缺乏,无法实现民族化与国际化接轨。为此,提出中国歌剧未来发展的策略:在创作上坚持民族特色,加强海外市场拓展和宣传;在发展中保持民族性的同时与世界文化融合。基于案例分析和策略探讨,在一定程度上为推动中国歌剧的民族化与国际化提供了理论依据和实践指导,对增强中国文化的软实力具有重要意义。This paper analyzes the path of national and international integration of Chinese opera creation from the perspective of multi-culture.By analyzing the typical cases of Yimeng Mountain and Camel Xiangzi,this paper finds that the current Chinese opera lacks innovation and overseas vision in terms of nationalization,and cannot realize nationalization and internationalization.Therefore,this paper puts forward some strategies for the future development of Chinese opera,including adhering to national characteristics in creation,strengthening overseas market expansion and publicity,and integrating with world culture while maintaining national character in development.Based on a case analysis and strategy discussion,this paper provides theoretical basis and practical guidance for promoting the nationalization and internationalization of Chinese opera to a certain extent,which is of great significance for enhancing the soft power of Chinese culture.

关 键 词：多元文化 中国歌剧 民族化 国际化 

分 类 号：J643.2[艺术—音乐]