由集美·阿尔勒国际摄影展看中国当代摄影的档案化特质  

Archiving Characteristics of Contemporary Chinese Photography Refected from Arles International Photography Exhibition in Jimei

作　　者：汪贤俊 WANG Xianjun(Arts and Design College,Jimei University,Xiamen 361021,China)

机构地区：[1]集美大学美术与设计学院,福建厦门361021

出　　处：《集美大学学报(哲社版)》2025年第2期92-101,共10页Journal of Jimei University(Philosophy and Social Sciences)

基　　金：福建省社会科学基金项目“福建当代艺术的中国故事表述与传播”(FJ2021B202)。

摘　　要：媒介特质的讨论一直是自摄影诞生起的中心话题,对本质的追问和新媒介的“渴望”,使得当代摄影似乎又回到了巴钦所描述的摄影之初的状态中。影像媒介的“纪实”功能再度得到考量,混合媒介或跨媒介实验,甚至非艺术媒介的引入,用以表达影像艺术的档案化特征,这在集美·阿尔勒国际摄影展中表现得尤为显著。档案化的影像构成了新的交流方式,用以平等地探讨当代社会所面对的共同问题。The discussion on the characteristics of media has been a central topic since the birth of photography.The inquiry on the essence and the“desire”of new media makes contemporary photography seem to return to the original state of photography as described by Batchen.The“documentary”function of image media has been considered again.Mixed media or cross-media experiments,and even the introduction of non-artistic media,are used to express the archival characteristics of image art,which is particularly evident in the Arles International Photography Exhibition in Jimei.Archived images constitute a new way of communication to equally explore the common issues faced by contemporary society,which is also one of the important preconditions for transforming the“Chinese topics”of Chinese contemporary art into the“international topics”.

关 键 词：集美·阿尔勒国际摄影展 中国当代摄影 媒介特质 档案化 

分 类 号：J40[艺术—摄影艺术]