“记忆之场”的建构:论《阿娜河畔》的故乡书写及历史想象  

Constructing“Realms of Memory”:Hometown Narratives and Historical Imagination in Along the Ana River

作　　者：史玉丰[1] Shi Yufeng(School of Liberal Arts and Law,Henan Polytechnic University,Jiaozuo,Henan 454000)

机构地区：[1]河南理工大学文法学院,河南焦作454000

出　　处：《宁夏社会科学》2025年第1期151-159,共9页NingXia Social Sciences

基　　金：河南省高校人文社会科学研究一般项目的阶段性成果(项目编号:2022-ZZJH-557)。

摘　　要：《阿娜河畔》是一部围绕“记忆”进行的故乡书写及历史想象的长篇小说,在故乡的消逝和自我认同危机的背景下,小说建构了“阿娜河畔”这个多维的“记忆之场”。阿舍运用个体记忆和集体记忆的相互交融进行宏大历史和个人命运史的书写,呈现一种继政治赋予历史之“正”、先锋解构和消费主义虚化历史之“反”后以记忆重建历史的“合”的写作范式,为新时代历史书写重新赋能,使《阿娜河畔》具有了审美的、情感的与教化的历史书写特点。同时,作为一种记忆的累积和传承方式,《阿娜河畔》呈现“后记忆”的叙述特征,它将“交往记忆”变为“文化记忆”,展现了中华民族共同体意识,丰富了新时代中国式现代化的文学表达。Along the Ana River is a novel that centers on hometown narratives and historical imagination through the prism of memory.Set against the backdrop of a disappearing homeland and a crisis of self-identity,the novel constructs a multifaceted“Realms of Memory”along the Ana River.The author,A She,skilfully interweaves individual and collective memories to chronicle both grand historical events and personal narratives.This approach presents a writing paradigm that synthesizes the“thesis”of officially sanctioned history,the“antithesis”of avant-garde deconstruction and consumerist historical dilution,and the“synthesis”of reconstructing history through memory.By doing so,it revitalizes historical writing for the contemporary era,imbuing Along the Ana River with aesthetic,emotional,and didactic qualities in its historical narrative.Moreover,as a vehicle for memory accumulation and transmission,Along the Ana River exhibits characteristics of“post memory”narration.It effectively transforms“communicative memory”into“cultural memory”,thereby fostering a sense of Chinese national community consciousness.This approach enriches the literary expression of Chinese-type modernization in the contemporary era.

关 键 词：《阿娜河畔》 记忆之场 后记忆 历史书写 

分 类 号：I207.67[文学—中国文学]