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作 者:徐兆寿[1] XU Zhao-shou(Chinese and Foreign Writing Center,Northwest Normal University,Lanzhou,Gansu,730070,PRC)
机构地区:[1]西北师范大学中外写作中心,甘肃兰州730070
出 处:《西北师大学报(社会科学版)》2025年第2期53-65,共13页Journal of Northwest Normal University(Social Sciences)
基 金:国家社会科学基金重大招标项目“百年中国影视的文学改编文献整理与研究”(18ZDA261)。
摘 要:从《山海经》中的西王母到民间传说和文学、影视剧中的王母娘娘,从戏曲电影中的朴素扮相到当代电视剧中雍容华贵的装扮,西王母这一原初形象无论从文化背景,还是影视改编,都历经了纷繁复杂之演变。其背后的原因到底是什么?通过阐述西王母形象的文化变迁渊源,并在此基础上梳理其百年影视形象改编特征和规律,总结经验与教训;同时提出,在百年学术研究和考古成果基础之上,应当重新塑造西王母的形象,要有新的精神向度和更为准确的学术内涵。做好这一点,对复兴中华文明、振兴中国文化自信以及建设人类命运共同体都有积极的意义。From the Queen Mother of the West in Shan Hai Jing to the portrayal of the Queen Mother in folk legends,literature,and film and television dramas,from her simple appearance in black-and-white operatic films to the grand and luxurious portrayals in contemporary TV series,the image of the Queen Mother of the West has undergone a complex and varied transformation in both cultural changes and cinematic representations.What are the underlying reasons for these transformations?This paper discusses the cultural origins of the evolution of the Queen Mother's image.On this basis,it analyzes the characteristics and patterns of her adaptation in films and television over the past century,summarizing both experiences and lessons.Furthermore,it suggests that,based on a century of academic research and archaeological findings,the image of the Queen Mother should be redefined with new spiritual dimensions and more accurate academic connotations.Achieving this is of positive significance for the revival of Chinese civilization,the enhancement of Chinese cultural confidence,and the construction of a shared human destiny.
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