论《望庐山瀑布》(其二)的经典化  

On the Canonization of“Gazing at the Waterfall at Mount Lu(II)”

作　　者：郑迪 李振中 ZHENG Di;LI Zhen-zhong(College of Liberal Arts,Shantou University,Shantou,Guangdong 515000)

机构地区：[1]汕头大学文学院,广东汕头515063

出　　处：《汕头大学学报(人文社会科学版)》2024年第8期76-85,96,共11页Journal of Shantou University(Humanities and Social Sciences Edition)

摘　　要：李白《望庐山瀑布》(其二)是一首广为人知的经典七绝,但在创作之初的唐代影响有限,直到宋代才确立为经典。苏轼率先对其审美艺术、文学地位做出理论认可后,诸家不仅对此诗与徐凝《庐山瀑布》、与《望庐山瀑布》(其一)的优劣比较展开探讨,也在著述中对《望庐山瀑布》(其二)选择、引用、模仿,逐渐形成“庐山——香炉紫烟”一体式的文学景观书写,“银河落天”之喻更成为观赏瀑布山泉时的“思维定式”。经过元明清思想印象的深化、当代教材的选入,该诗最终成为了描写庐山瀑布当之无愧的绝唱。Li Bai’s“Gazing at the Waterfall at Mount Lu(II)”is a well-known classic seven-character quatrain.However,it had limited influence in the Tang Dynasty when it was first created and was not established as a classic until the Song Dynasty.After Su Shi first theoretically recognized its aesthetic art and literary status,many scholars not only discussed the merits and demerits of this poem compared with Xu Ning’s“the Waterfall of Lushan”and“Gazing at the Waterfall at Mount Lu(I)”,but also selected,quoted,and imitated it in their works,gradually forming a unified literary landscape description of“Mount Lu-Purple Smoke from the Incense Burner”.The metaphor of“the Milky Way falling from the sky”has even become a“thinking pattern”when viewing waterfalls and mountain springs.Through the deepening of thoughts and impressions in the Yuan,Ming and Qing Dynasties and its inclusion in contemporary textbooks,this poem has finally become an undisputed masterpiece in describing the Lushan waterfall.

关 键 词：《望庐山瀑布》(其二) 李白 经典化 宋代 

分 类 号：I207.2[文学—中国文学]