现实书写中的性别身份——论梁晓声《人世间》的女性形象  

Gender Identity in Realistic Writing——On the Female Images in Liang Xiaosheng’s“The World”

作　　者：李宏悦 LI Hong-yue(Heilongjiang University,Harbin 150080,China)

机构地区：[1]黑龙江大学文学院,黑龙江哈尔滨150080

出　　处：《哈尔滨学院学报》2025年第3期87-90,共4页Journal of Harbin University

摘　　要：梁晓声在《人世间》中塑造了一批立体生动的女性形象,呈现出他在现实书写下对女性性别身份及主体意识的关注和表达。传统家庭伦理的律令使女性对母亲和妻子的身份展露出自觉的认同,时代提供的包容语境为女性提供了更广阔的生存空间,这些散落在历史中的女性或深或浅地进行对自我的言说,呈现出女性意识得到初步觉醒的可喜嬗变。尽管梁晓声是一位极其关切女性命运的作家,但男性作家在对女性形象进行想象性建构时的盲区仍隐隐存在。In“The World”,Liang Xiaosheng creates a series of vivid and multidimensional female images,reflecting his attention to and expression of female gender identity and subjectivity in realistic writing.The dictates of traditional family ethics lead women to consciously identify with their roles as mothers and wives,while the inclusive context provided by the times offers women a broader space for existence.These women,scattered throughout history,articulate their sense of self to varying degrees,showcasing a commendable transformation in the initial awakening of female consciousness.Although Liang Xiaosheng is a writer deeply concerned with the fate of women,there are still subtle blind spots in the imaginative construction of female images by male authors.

关 键 词：性别视角 现实主义 梁晓声 《人世间》 

分 类 号：I206.7[文学—中国文学]