对立结构与地域文化:《东北警察故事2》的动作场面解析  

Oppositional Structure and Regional Culture:An Analysis of Action Scenes in“Northeast Police Story 2”

作　　者：贾兵[1] JIA Bing(Shenyang Conservatory of Music,Shenyang 110000,China)

机构地区：[1]沈阳音乐学院戏剧影视学院,辽宁沈阳110000

出　　处：《哈尔滨学院学报》2025年第3期107-111,共5页Journal of Harbin University

基　　金：2023年度东北亚音乐文化发展协同创新中心重点科研项目,项目编号:XT2023019。

摘　　要：动作电影《东北警察故事2》通过场景、道具、人物价值观甚至男女性别方面的一系列对立设置,形成了影片的深层结构,既在象征层面表达了警匪之间正邪对抗的主题,同时强化了动作场面暴力效果背后的伦理依据,又与商业电影的二元对立要求相契合。影片所选择的“东北”地理场景为写实的动作效果提供了可识别的现实主义背景和犯罪情节所需要的远离文明中心的地理环境,并通过东北地区直接、热情和刚健的地域文化性格在情节层面促进了影片动作场面高频率地发生。The action film“Northeast Police Story 2”forms its deep structure through a series of oppositional settings involving scenes,props,character values,and even gender dynamics.This not only symbolically expresses the theme of the confrontation between good and evil between police and criminals but also reinforces the ethical basis behind the violent effects of the action scenes,aligning with the binary oppositional requirements of commercial cinema.The chosen geographic setting of“Northeast”provides a recognizable realistic background for the action effects and a geographical environment that distances the narrative from the centers of civilization,while the direct,passionate,and robust regional cultural characteristics of Northeast China promote the frequent occurrence of action scenes within the plot.

关 键 词：东北地区 对立结构 地域文化 对立冲突 动作场面 

分 类 号：J905[艺术—电影电视艺术]