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作 者:刘祥 LIU Xiang(School of Chinese Language and Literature,Shandong Normal University,Jinan 250014,China)
出 处:《太原学院学报(社会科学版)》2025年第3期107-115,共9页Journal of Taiyuan University(Social Science Edition)
摘 要:鸦片战争后,中国传统的男性或阳性文化及其建构的男性主体遭遇了前所未有的危机。知识精英们迫切希望通过变革,重新建立主体身份认同,而中西恋作为一种现代性事件,成为表达主体身份重构与文化想象的主要模式之一。通过对王韬《淞隐漫录》到狄葆贤《新聊斋·唐生》,再到老舍《二马》三个不同时段中西恋书写典型文本的分析,我们清理出近现代文学中传统男性主体在遭遇危机后向现代性男性主体转变的历史轨迹。对中西恋文本中包含的男性主体重建文化想象的阐释,及其中包含的保守心态、心理压力、身份焦虑、自省精神的揭示,不仅对现当代中国文学叙事中的男性性别主体研究具有启发意义,同时,也能在一定程度上推动国内尚处于起步阶段的男性身份研究,具有重要的理论与现实意义。After the Opium War.the traditional Chinese masculine culture and the construction of the male subject encountered an unprecedented crisis.The intellectual elites were eager to re-establish the identity of the subject through changes,and Sino-Western romance,as an event of modernity,became one of the main modes to express the thought of reconstructing the subject^identity and cultural imagination.Through the analysis of three typical texts of Sino-Western romantic writing in different periods of time,Wang Tao's Song Yin ManLu,Di Baoxian's New Strange Tales from a Chinese Studio:The Tang Sheng Chronicles to Lao She's Mr.Ma and Son,this paper clears the historical trajectory of the transformation of the traditional male subject into a modern one in modem and contemporary literature.The interpretation of the cultural imagination in the reconstruction of the male subject in the specific texts,as well as the revelation of the conservative mentality,psychological pressure and identity aaxiety,and the spirit of self-reflection in them,will inspire the study of the male gender subject in modem and contemporary Chinese literary narratives.It will also enrich the study of male identity in China,with great theoretical and practical significance to echo the discussion of masculinity in contemporary society.
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