太湖石在当代陶艺审美实践中的转化与升华  

The Transformation and Sublimation of Taihu Stone in the Aesthetic Practice of Contemporary Ceramics

作　　者：江嘉琪 Jiang Jiaqi

机构地区：[1]不详

出　　处：《景德镇陶瓷》2025年第1期82-84,共3页Jingdezhen Ceramics

摘　　要：进入21世纪,随着现代陶艺的兴起与发展,太湖石在当代陶艺家的手中,不再是单纯的自然景观或装饰元素,而是成了一种跨越时空的艺术语言,它被赋予了新的表现形式和更加丰富的现代意义,成为传统与现代交融的象征。本文阐述了太湖石在现代陶艺中的创新应用及其所蕴含的文化意义,揭示出古老审美符号如何与现代艺术相融合,以及在过程中所展现出的文化传承与创新的辩证关系。Since the 21st century,with the rise and development of modern ceramics,Taihu stones have been transformed by contemporary ceramic artists from mere natural landscapes or decorative elements into a timeless artistic language.They have been endowed with new forms of expression and richer modern significance,becoming a symbol of the integration of tradition and modernity.This paper elaborates on the innovative applications of Taihu stones in modern ceramics and the cultural significance they carry.It reveals how ancient aesthetic symbols can be integrated with modern art and the dialectical relationship between cultural inheritance and innovation in this process.

关 键 词：太湖石 陶瓷文化 现代性 

分 类 号：J527[艺术—艺术设计]