论粉彩人物瓷画创作中的自然空间营造  

The Creation of Natural Space in Fencai Character Porcelain Painting

作　　者：余安平 刘锦洪 Yu Anping;Liu Jinhong

机构地区：[1]不详

出　　处：《景德镇陶瓷》2025年第1期125-127,共3页Jingdezhen Ceramics

摘　　要：粉彩人物瓷画经历了自清代雍正时期直至当代的漫长发展历程,其自然空间营造表现不断随时代发生变化。自然空间营造在粉彩人物瓷画创作中的重要性体现在衬托和突出人物形象、强化和深化主题表达以及丰富画面视觉空间层次等方面。粉彩人物瓷画创作者在自然空间营造中需要深刻理解自然空间营造的意义,并注重构图布局的主次与历史,结合历史背景与地域特色。Fencai character porcelain painting has gone through a long development process from the Yongzheng period of the Qing Dynasty to the contemporary era,and its natural space creation performance constantly changes with the times.The importance of creating natural space in the creation of Fencai character porcelain paintings is reflected in highlighting and highlighting character images,strengthening and deepening theme expression,and enriching the visual spatial hierarchy of the picture.The creators of Fencai figure porcelain paintings need to deeply understand the significance of natural space creation,and pay attention to the priority and history of composition layout,combined with historical background and regional characteristics.

关 键 词：粉彩人物瓷画 自然空间 营造 重要性 方法 

分 类 号：J527[艺术—艺术设计]